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UMBANDA
The umbanda is a wrong concept. Generally
speaking, this ritual embraces elements of the Catholic liturgy
along with others characteristic of the American continent.
Among these concepts, the umbanda
strictly speaking has to be distinguished from the "kimbanda" and the purest africanism
and cabinda, nago and other syncretism, that are presently
referred to as nation or batuque.
Umbanda is the rythmic spiritist
worship and the chanted spiritist ritual, with prediction
purposes.
It is a new Brazilian worship, whose consolidation took place
from 1907 onwards, which resulted from the syncretism of some
beliefs and African magickal rites with some other of indigenist
roots that aggregated to them. Some Catholic forms of worship,
icons and symbols, some spiritist ideas, which assert reincarnation
and the laws of "karma", product of the Oriental philosophy.
Its main characteristic
is prediction and the practice of white magick, aimed at healing, both
spiritually and physically. Its priests are called "páis",
and they can baptize, marry, consecrate, that is to say, they
have the faculty of practicing liturgy based on their religion,
and always wear in white.
The
term Umbanda comes from the Quimbundo language, of
Angolan origin, the Congo, currently Kenya and Guinea, within
the Bantu idiomatic area. Umbanda is the art of praying by magical
means, whereas kimbanda is the witch doctor and magick
master.
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The
term Kumbanda comes from
the verb to cure, to prescribe, and the word quimbanda derives
from it as the concrete form and the Umbanda
as the abstract form. According to the African beliefs, the
spirit invoked by the witch doctor rises and evolves, from
below to the summit of its power and fulfillment thanks to
the influence of the invocation worship.
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It
is possible in Africa to follow the route of penetration and
spreadness of the bantu language and worships from the Sudan
to Angola. The origin of the Umbanda terms and concepts can be followed
back to Old Egypt, from the deads book and the idea of a unitarian
deity -yet plural at the same time. The idea of the immortality
of the soul as factor of the universal balance is worthy mentioned.
The name Olorum derives from Horus -Sun god-, and hence, Osiris
and Oxala.
Angolan
animist religion believes in spirits that preside over the
development of life and death, and in other more general spirits
of one clan or family. There are three categories of transmigrating
souls: the "Muculo", which is the soul of a newly
dead person interfering in other people's lives to reveal
secrets, the "Quilulo", which is a lost soul, and
the "Zumbi" , which is the
spirit of someone who died a long time ago.
The Umbanda as a religious activity is
the necessary bridge for communication of the spirits.
The Orixás are divine spirits who are related to the saints
of Catholicismo, and can invoke to great moral and natural
forces. They act as forces balancing universe, and head phalanxes
of other spirits not so perfect, who are in turn in charge
of communicating with humans in the course of the worship
sessions. In the Umbanda,
orixás do not embody in mediums. Orixá means leading spirit
or spiritual head.
The Orixás pantheon integrates the entities that follow, which
are intermediate between Olorum and men:
|
| NAME |
FIGURE |
SYMBOL |
HEAVENLY BODY |
SPHERE |
| OXALÁ |
CHRIST |
CROSS |
SUN |
SPACE |
| LEMANJÁ |
HOLY VIRGIN |
ANCHOR |
MOON |
SEA |
| OGÚM |
SAINT GEORGE |
SWORD |
MARS |
VARIOUS |
| OXOSSI |
SAINT SEBASTIAN |
ARC AND ARROW |
MERCURY |
FORRESTS |
| XANGÓ |
SAINT JEROME |
MACHETE |
JUPITER |
STONES AND STARS |
| OXUM |
IMMACULATE CONCEPTION |
HEART |
VENUS |
RIVERS AND FOUNTAINS |
| OMULÚ |
SAINT ROCK AND
SAINT BLASE |
CRUCIFIX |
SATURNE |
CEMETERIES |
The Umbanda is a
non-dogmatic religion, as it does not constitute a closed conceptual
system where neither doubts nor discussions are permited. Guidance
by one priest does not indicate his being ineffable, on the
premise that his human nature is a sign of his imperfection.
The Umbanda is an intermediate level in
the spirit evolution.
Dogmatism of any kind would oppose the very doctrinal essence
of its thinking. Concepts are dynamic in their evolution and
cannot be standstill as rigidly as a fossil, as their progressive
development towards Truth would be invalid otherwise.
The Umbanda is a rational
and clarifying faith, viewed as a force to believe in truth
and in the mental power to profitably receive the most general
ideas. It has no mystery, neither does it rule conscience. Its
doctrine is that of the free examination. As a religion, the
most important idea is the intimate experience with God, brought
to the experience level and, at the same time, with a popular
nature, thanks to its liturgy and ritual.
At these times of crises and continuous ideological adjustments
in all spheres of life, there is a unifying uninterrupted convergence
line for all creeds towards a total, globalizing faith.
There are some basic principles and precepts common to all religions,
which reflect the new idea of faith as a universal, unifying
expression. The Umbanda is a response to this old syncretism
of races and cultures, and offers the possibility of integrating
these universal mystic feelings with a view on the future.
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QUIMBANDA
The Quimbanda has a strong
trend towards magickal rituals, which are practiced in the course
of sessions reserved for works aimed at doing or undoing evil.
It is characterized by the sacrifice of animals, namely edible
ones such as kids, chickens and pigeons. These are the offerings
that can be used to invoke in the liturgies, and act as sacramental
emissaries.
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In all works relating to Evil, Exú
is invoked. The concept of this deity is difficult per se,
being the equivalent to the Devil in Christianism. In African
worships, such as Candomblé, Exú
is considered as a disobedient orixá, liable to disturb ceremonies.
For this reason, it must moved away, not only during the works,
but also from the locations of the saints' rooms, that is,
out of the ritual grounds.
In
these worships of African origin, it needs to be present to
provide security to the works.
Exú is an Orixá's envoy,
but it does not have a will of its own. It is a power that
needs to be moved, as without it the works cannot start. It
is the one in charge of breaking grounds, cleaning the environment
and provide confidence in the tasks. It is guard that needs
to be pleased and thanked. There are certain structures in
Umbanda that refer us to
the kingdom of Exú, and to certain lines of Quimbanda. Depending on their past
in other lives, the soul evolution draws up present attitudes.
The agent's intention combines with it in the works to extents
that range from black magick to good-oriented magicks.
This means -and so it refers us to- vibratory fields more
or less weightys, and on these grounds, an almost material
power is required for works in the powerful areas where the
evil powes reside. That is why guards need to have some kind
of vibratory affinity with them.
Various entities act under the name of Exú. Every man and place has an Exú of his own, which must be call
to act in that field of weighty vibrations, as everything
exists and acts according to the affinities of every means
and in agreement with the minds of those taking part, for
good or for evil sake. It is the representation of complex
stairs or evolution levels, or signs with a given intention
that shows a series of behavioural sequences.
Exú means eveil deity in
Nigerian, and it is mischievous and noisy. The Exú
is different from quiúmbas, gombeteiros and other disturbing
and obsessed spirits, which can mystify in the works. Exú
pagao is marginal to spirituality, and, in Quimbanda, it works in the evil magick
and for evil's sake. Exú Batizado or Já, is the human soul sensitized to
Good in its way to evolution. There are four different general
senses to consider Exú: as an Orixá, disobedient or fallen angel,
as a soul bound to the material nature, as a malefic spirit
standing still at evolution, or as a spirit in a very basic
stage of the said evolution.
Exú's spiritual figure, as a willful
embodiment of evil, depends on the concept of evil that one
has as an active power in reality or as the mere lack of good;
lack or sin in the sense of fault. The sin is a fault in will,
moved by oral ideals towards the good and kept in the matter
and its laws by the nature itself. From this perspective,
Exú could be considered as the power
of nature that binds one person to the earthly world, preventing
him from moving, if not of evil, at least of men's Nemesis
in their earthly trial.
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FROM AFRICA
The main Africanist guidelines, in syncretism with one other
and presented under the common term of nation are as follows:
Cabinda, Nacó, Tambór, Yeye y Yeya, among others. These lines, as
showed by our folklore, existed in ancient Buenos Aires as generations
attached to various central churches of the city. Covered by
the Catholic worship and the plateresque religious images of
the time, masked a hidden reference to the African rituals in
the utmost secrecy. They practiced
black magick for works of protection
from their masters' abuses and from the arrogance of the Colonial
church. Some references can still be found in the Tambor
quarter, of black population, and the gaucho mandinga gauchesco
as embodiment of the Devil. In Brazil too, African arrived as
slaves were forced to accept the Catholic religion, and those
who dare to rebel against the power of the Church received a
severe treatment.
Thus, the religious essences of those black people, heirs of
ancient traditions were subjugated by Catholicism, which put
an emphasis on its interest on the external worship of images.
Indian and black slaves venerated their old gods transformed
in those white statues. Fugitive slaves took refuge in the rainforest
with native tribes and white pariahs. In those redoubts or quilombos,
all the beliefs of the oppressed people got mixed, giving rise
to forms the more and more refined, the so-called Umbanda
nowadays.
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On the other hand, black people defended against
the whites and their power taking the strenght out of
their own religion, and hunting their enemies through
Bará works. The Egum - spirits of the dead people -
helped their descendant, which envisaged the Catholic
icons as figures representative of the great powers
of nature.
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The Nation worship is universal and naturalist. The ancient
tradition remains valid and preserves its purity among primitive
people, who remained loyal to the most universal and ancient
practices. These traditions revere certain symbolic elements
as well as the powers of nature. this knowledge allow people
to deploy them usefully, provided that the cosmic equilibrium
is not jeopardized.
It can be stated that the traditions of the black peoples
from Africa are still alive, in the famous library of Alexandria.
It can also be stated that the current crisis in culture and
civilization is helping people to come back to their origins
and recover ancient traditions.
For Quimbanda, the Exú are but men who died in impurity,
spirits of dead people chained to the evil, who, having been
humans can better penetrate human wishes. Neither Exú nor Pomga-giras are demons. Rather,
they are entities working from death in favour of the earthy
things of the alives. They make or help to make what people
ask or invoke. The break grounds, open doors, clear the vegetation,
in order to help human beings get their resolutions or interests.
In the Quimbanda ritual, drums and maracas
are played and Exú is invoked.
The invocation consists in the symbollism of chanted and written
parts, when spirits arrive to the body of the people in the
session, who wear black and red clothes to favour the vibration
required for the ritual. It is not necessary that the head
of the session be a babalorixa, that is, a saint pái having
his orixás set up in his religion house.
The orixá or African saints
set up on stones and the Exú sets on a clay plate. The elements
are strengthen by means of sacrifices. The head of the Exú ritual can be an Umbanda chief, and at the same time,
a Babalaorixa.
The power of Exú is contained
in its settlement, favoured by the sacrifice ritual. The Orixás
set up the same, but with particular accents that served the
priest to help others through them. Every human being is bouned
to an orixá of his/her own, which will always
influence his/her life. The sense of the earthly life, the
overcoming of the individual's spiritual defficiencies. Orixás
are vocations of the universal spirit, read by men in nature,
as particular and saints-like venerated, which incorporate
to the individual and condition his/her life. Orixás are also in evolution and needs
the matter to attain their own perfection. The spiritual nature
of men brings an atavism of saintliness to them, which has
to be first cleaned and then grown to be able to accomplish
the superior destiny of human spiritual evolution.
The moral keys of that improvement are charity, love and integration
with Nature. God aims to the reorganization of the forces
of nature existing in men into a hierarchy. Each individual
is bound to an Orixá who influences his/her life.
Each entity manages an element of nature as an independent
power balanced with the other natural powers with those spiritual
entities that report about their actions.
We all have a head saint and a body mother, although it may
happen that there be a head mother and a body father. One
person's Karma can have a male or female spirit
and the matter will act within that spirit and influenced
by it. Each person's Orixá will always mark his/her
general life. The identity of each individual's spirits can
be found by the game of the buzios. This way, a character
table can be carried out. According to the orixá, these characters
integrate the individual's personality.
The head saint is pure spirit and, hence is eternal. The body
saint depends on the karma. That is, the condition of the
soul with regard to the divine justice as an earthly trial
for his/her development towards the balance. The body saint
helps the soul to reincarnate. The spirit is one, but individual
incarnation is characterized by trends or vocations that relates
to the natural elements. The body saint lives as long as the
person lives his/her individual life, and can be helped in
serious difficulties by other orixá,
attached to that body as a passage saint under unusual circumstances.
the symbollism of the written or recorded points relates to
each person's guardian angel and its guide. We can be adopted
by a guide, who can incorporate to the same person of the
same entity. Oxalás are similar to men concerning
the particular factors of the universal balance. They have
individuality, but bear spiritual moments materialize in natural
forces and are have a direct and indirect influence upon the
spirit bearers.
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